Following the Chinese wolfberry pavilion 12 years ago, designer Xia Ke and architect Tang Zhilin once again joined hands with Bainiyuan wolfberry brand to write a new article in Yinchuan. This project is located in the scenic tourist area at the eastern foot of Helan Mountain in Yinchuan, Ningxia. The entire manor has a total area of 1500 acres and a building area of 15000 square meters. It is the first Chinese wolfberry manor in the country and even the world (Yin Hongzichu).

The design is based on the creative concept of respecting nature, culture and site characteristics, inspired by the local characteristics of raw soil building materials, using light as the medium, drawing water into the painting while maximizing the local materials, outlining the pattern of the north and restoring the temperament of the north. Let the building take root in the land "natural growth".

The park and the "Sleeping Buddha" of Helan Mountain meet each other, and the designer takes this as the central axis to form an enclosed platform space, showing the beauty of rhythm and rhythm in the symmetry and change.

As a cultural industry park, the first consideration is to meet its functionality. The buildings are interconnected and independent, separated into multiple venues for their flexible use. Among them, Hall 1, which is located in the central axis of the park and dominates the park, is the spiritual convergence of the whole space.

Hall No. 1 takes the "temple" as the design concept, uses the multi-point layout of small window holes for lighting, dances with the geometric structure in the space, and uses a very simple way to make the culture disappear, connecting the sky, the ground, and the people. Coordinate movement, thinking and quietness.

The appearance is simple and rough, the touch is delicate and soft, the water mirror breaks the situation by borrowing the scenery, the platform climbs high and moisture-proof, the window hole is daylighting to keep out the cold, and the local materials are used to create new materials...... The details in the park come from the collection of the creator's cognitive experience, as well as vision and responsibility, rather than the accumulation of formal elements.