Deconstructivism_UA Cinemas SH

This UA cinema in Shanghai hopes to express the desire to subvert the tradition and break away from the established framework through design, so it uses the "deconstruction" that represents the post-modern architectural trend 」. Since the late 1980s, some architects were influenced by the French philosopher De Cida and began to integrate the deconstruction he advocated into the design, using a large number of irregular lines, geometric patterns and non-formal three-dimensional shapes. This cinema joined the uprising and rethought the application and significance of space. The design of the lobby thoroughly embodies the characteristics of deconstruction aesthetics: nothingness, surreal, unstable and open form, so as to make a blockbuster and impress the audience. The ceiling here does not have a fixed plane. On the contrary, there are irregularly shaped pillars falling from above. Standing in the middle of the lobby, there is almost a slight pressure of drum. These pillars also have the function of providing light, making the contrast between the matte champagne gold and the smooth gray basket more significant. smallpox, walls, and floors each have unique patterns and lines, but use similar colors; they are irrelevant but interrelated. The white pillars contain champagne golden threads, and the champagne golden pillars emit white light, revealing the unique law of deconstructive thinking. After experiencing the post-modern architectural journey visually, it is time to return to calm and focus on the movie when you arrive at the movie hall. Low-key purple, mixed with gray and black, appears regularly before the eyes. Irregular shapes only appear on the walls; when the meaning of deconstruction is settled, it becomes a preset structure, suggesting the next revolt that breaks through the cycle.