The "Li Han chanting" series of chanting machines designed by five stones quickly detonated the market as soon as they entered the market. The supply exceeded demand. Many Buddhist friends even purchased them in advance. The "Li Han chanting" chanting products were well received by many senior brothers in the industry!

Compared with ordinary product design, cultural and creative product design requires more understanding of cultural heritage. How to integrate into product design, especially the vastness and depth of Buddhism, has become a new height for us to challenge ourselves. In the "Li Han Chanting" series of products, we have done a lot of research work on Buddhist culture and talked with contemporary Buddhist masters, I deeply feel the thickness of Buddhist culture and the spiritual realm that we need to improve ourselves.

1. Product positioning: At the product design level, the initial design positioning and direction are particularly important. A good product is not a beautiful shell, but an emotional connection with product attributes that produces design semantics. At the beginning of the design, we must first understand the origin and original intention of Mr. Li Han's recording of the "Imperial Tripitaka" project. I hope that the appearance of the product and the content of the product dissemination can be perfectly matched.

2. Industry misunderstanding:. Many Buddhist products in the industry simply add traditional Buddhist elements, resulting in a very abrupt combination. Take the scripture broadcast machine as an example, a traditional card speaker screen-printed a lotus or Buddha pattern on the outer surface of the product, and there are many such products. It's just a simple and direct decoration, without thinking about the meaning of the appearance of the product.

3. The design and positioning of the three scripture broadcasting machines are mainly portable, the design idea is based on the use of portability, and the design and modeling language is based on Buddhist symbols as the main elements. There is a certain degree of difficulty in the form of expression.

4. The embodiment of modern aesthetics: the design work is not surface decoration, but a modern aesthetic design after cleverly integrating traditional elements. In terms of form, the design inspiration hopes to combine the lotus pattern elements on the ancient jade. The lotus flower with a feeling of arms from the bottom to the top is more like a bergamot shape. The shape of the wrap feeling is combined with the middle ring to switch buttons and display, and the whole looks like a treasure on the palm. The pronunciation area of the product is composed of the sound of the classical lotus petals and the auxiliary auspicious cloud pattern.

Structural limit
In terms of appearance and structural design, for example, due to the curved surface of the product, the key installation is damped, and the user experience is reduced. The structural design adds bumps at both ends of the key soft rubber to ensure the comfortable and smooth experience of the key. In order to change the mold for the service life of the internal trunking, under the condition of ensuring the appearance, the five-stone design team cooperated with the structural design team to carry out various optimization tests.