Maillard wind in the "Oriental design class": this wall clock, the gentle and style hidden in every detail
At the moment of Maillard color system, this wall clock uses "new Chinese design language" to give different answers-not only the warmth of color, but also the design of outline, material and pattern, making "gentle and low-key" become the "aesthetic highlight" in the space 」.
① Fan-shaped outline: the oriental rhyme stolen from the window lattice
The fan-shaped shape coincides with the elegance of the Chinese-style window lattice, but it dispels the traditional weight with "soft radian"-like a moon rounded by time, gently pasted on the wall, which not only holds up the "design skeleton" of the space, but also adapts the relaxation feeling of the modern living room with warm lines.
Echoing with the arch beside the TV wall and talking with the rounded corners of wooden furniture, the "echo aesthetics" is hidden in the outline, so that the wall is no longer monotonous.
② interweaving of rattan wood: the material philosophy of breathing
Rattan weave texture: hollowed-out weaving, hidden in the natural sense of breathing-like the afternoon rattan chair relaxation, put on the wall, for the Maillard wind added a "pastoral lightness 」;
Solid wood frame: matte walnut color, precipitation of light luxury warm, touch when the delicate texture, but also let this "light" has a solid "heavy base 」.
The collision of the two materials makes the wall clock both "poetic floating" and "practical landing", becoming a "material conditioner" in the space 」.
③ Flower and bird dial: miniature meticulous brushwork in time
The pattern of flowers and birds on the dial is the ingenuity of "faint design"-there is no heavy color, but it is like a flower and bird painting in the morning mist, hazy and vivid.
Every time I look at time, it is an encounter with "poetic moments", so that "timing" has become a "daily aesthetic ceremony 」.