This fruit box to "new Chinese luxury" as the design of the anchor, in the material, shape and details of the weaving between the triple ingenuity:
1. Hierarchical Dialogue for Materials 」
The Oguman wood is finely polished, with amber-grade warm luster, and the natural wood grain is like a hidden line narrative; the matte brass "Fu" knob jumps out of the solid wood background color, creating contrast with the cold metal; the transparent glass cover, such as "time mask", condenses the color of nuts into dynamic exhibits-the three collide, allowing "storage" to bring its own light and luxurious visual tension.
2. Form of "Oriental Philosophy 」
The full arc contour coincides with the Chinese aesthetics of "consummation", and the smooth arc surface formed in one body not only eliminates the sharpness of edges and corners, but also endows the utensils with an aura of "stocky and steady"; when placed flat, it is like a still water sink, and when placed in the tea table and living room, it can hold up a low-key sense of space ritual.
3. Functional Poetics of Details 」
Glass cover "dustproof display" two-state switching: closed lock fresh dustproof, open the lid after the second change "nut display window", so that snacks also have "exhibition experience 」;
Brass Fu word "decorative handle" integrated design: rotating to lift the glass cover, auspicious symbols and practical functions of seamless convergence, hide the "design machine 」;
Internal partition "sense of order" hidden implant: dried fruit, candy each place, not only to avoid string flavor, but also let the use of their own "calm rhythm 」.
From the process difficulty of material splicing, to the oriental metaphor of form lines, to the "hidden design" of functional details, this fruit box elevates the "storage tool" to the art of home installation-when your fingertips touch the warmth of solid wood and the sinking of brass, the opening and closing are full of the "light luxury resonance" of design and life 」.