Taking lotus as the modeling prototype, the sound box adopts the "encircled" form as a whole. The front horn hole expands with layers of progressive ripple texture, and the hole array gradually goes in and out from inside to outside, which not only responds to the physical law of sound wave propagation, but also forms a visual order with a sense of rhythm. The acoustic structure and appearance language echo each other, so that the diffusion of sound is visually "seen".

The two sides of the product are shaped like lotus petals, and the curve is soft and full of tension, showing a balanced state of inward aggregation and outward extension. The overall proportion is rounded and restrained, emphasizing the sense of package and stability, so that the product presents a quiet and calm posture in the space.

In order to ensure the purity and integrity of the front form, the operation keys and display interface are intentionally hidden in the back area, and the interface logic is arranged in a petal type. The function is converged out of sight, so that the use behavior does not interfere with the overall perception, and strengthens the product's design position of "carrying sound in shape.

On the acoustic structure, the layout of the speaker unit and the bass diaphragm revolves around stable output and balanced propagation, ensuring that the sound is clear, full and layered. Modeling is not used as a decorative addition, but serves the sound quality performance itself, realizing the unity of form and function.

The overall design reinterprets the growth order and structural beauty of lotus with contemporary product language, and constructs a lotus speaker with both aesthetic integrity and sound quality in the balance of restraint, softness and rationality.